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How an Immigrant From a Village in Italy Surpassed All Odds To Become Mayor of New York City in 1950

Everything in Manhattan’s Italian Rifle Club is quiet elegance: the glint of brass, glimmer of crystal, gleam of polished oak, soft ring of fine china, bell chime of silverware, as in real silver. But the evening’s menu is an anomaly, a plain old green chalkboard, mounted in a dull wood frame and set on rollers that the waiter brings by our table. Several appetizers, soup and salad of the day, a half dozen entrees.

No prices.

I nudge my Mom. Why no prices?

“Why don’t you ask your Uncle Vince?” she suggests, referring to my great-uncle, my grandmother’s brother, the unquestioned head of our family—and our host at this celebratory dinner in 1965.

“Because,” Vince tells me, “if you have to know the price, you don’t belong here.”

He turns to our waiter—resplendent in tux, silk shirt and black tie—for corroboration.

“That’s right, your honor,” declares the latter, deferentially.

Everyone chuckles, including my mom, whose birthday this is. While such a remark today would seem atrociously elitist, those were different times, and Uncle Vince, as we all called him, represents a story of origin that itself seems today almost a cliché—poor immigrant boy grown into self-made man. But it’s all true, his blood is mine, and it starts in a tiny mountain village in Sicily, makes its way to the residence of the mayors of New York, Gracie Mansion, and ends in a midtown Manhattan penthouse where, as a young teen, I’d stand awestruck on the balcony and gawk at the glistening spire of the Empire State Building a few blocks distant.

Arriving at said apartment building, if I were to walk in with Vince, the doorman would rise from his lobby chair and salute. “Afternoon, your honor!” Vince would nod genially.

What on Earth is all this? Who is this gentleman so distinguished that random people call him by a fancy title and salute him on sight?

Vincent (Vincenzo) R. Impellitteri was born on February 4, 1900, in Isnello, a village about 50 miles from Palermo, perched astride a shoulder ridge beneath the dark granite battlements of the Madonie mountain range, which houses the second-highest peak in Sicily. A year later, his parents decided to seek a better life in America. The family sailed to New York, then relocated to Connecticut, settling in a riverside mill town, Ansonia, where Vince’s father Salvatore set up shop to practice his trade—shoe cobbler.

My grandmother Rose was born soon after; she and Vince enrolled in Ansonia schools and began their upward path into American life. She married a Ukrainian immigrant’s son and became a schoolteacher, while her husband, William Comcowich, rose through the school system ranks to eventually become Ansonia superintendent. My mother, Therese, was born in 1929, and she used to recount how her Sicilian grandmother, Salvatore’s wife Marie, who watched my mom after school while my grandmother Rose worked, never learned English and spent the entire rest of her life in that small Ansonia immigrant neighborhood, where her outings consisted of going to the Italian grocery store and the local Catholic church once a week each.

To say Vince went a different direction is putting it mildly.

Quietly on fire with ambition, he graduated with good grades from Ansonia High School and enlisted in the Navy, serving as a radio officer during World War I. After the war, he headed down to New York, where he wound up attending Fordham University School of Law by day, working as a bellman and desk clerk at night in a Manhattan hotel. After graduation, he joined a large, politically connected law firm, then was an assistant district attorney in Manhattan for a decade, then became clerk to a couple of state judges, then was chosen as deputy-mayor running mate for William O’Dwyer, on the basis of his ticket-balancing Italian ancestry, steady personality, and Democratic party loyalty.

They won two terms, then O’Dwyer resigned just as a corruption scandal broke over his office and Tammany Hall, the Democratic “machine” that ruled New York. O’Dwyer absconded to Mexico, and a special election was called for the remaining three years of his term.

I’ll run, said Vince. Nope, said Tammany Hall. Vince lost the primary to the Tammany candidate, but he created his own organization, the “Experience Party.” You’re toast, party bosses told him.

We’ll see, said Vince.

“He does not create emergencies,” wrote the New York Times. “He gives the impression of dogged earnestness and good intentions.” He acquired the nickname “Impy.” His slogan was “unbought and unbossed.” Supposedly, the Mafia controlled Tammany Hall, but Vince had snubbed Frank Costello, the Luciano crime family boss.

Impy beat three other candidates by more than 225,000 votes to become the city’s 101st mayor on November 14, 1950. A few years later, I joined him for Thanksgiving dinner at Gracie Mansion with my mom, his favorite niece. I was 15 months old; I don’t remember a thing, but I have the picture of me in my high chair. I presume we had roast turkey and cannoli.

In 1953, when the next election came around, Tammany Hall took him seriously and bumped him from office with Robert Wagner, a titan who went on to serve three terms in Gracie Mansion. Shortly after Wagner took office, he made Vince a judge, and he spent the rest of his career on the bench. Thus “Your Honor.”

Instead of dogged earnestness, I remember a courtly, well-tailored, gentlemanly, understated patrician. Is that an elite term? Sure, but look at his life: He earned it, full on, hard work, no question.

“To say that Vincent Richard Impellitteri rose from obscurity would be an understatement of the first magnitude,” declared the New York Times in Vince’s 1987 obituary. “In an era of flamboyant politicians and corruption scandals, Mr. Impellitteri—deliberate, scholarly, mild to the point of shyness—struck a responsive chord with New York voters and became the first person ever to become mayor of New York without the support of a major political party.”

Vince returned to Isnello in triumph on a quasi state visit in late 1951; at the time, the mayor of New York was widely considered the second most significant political office in America. Sicilians gave him a parade through his birthplace, lining the bannered streets and tossing flowers. I still have the commemorative engraved silver box they presented him, containing a glass ampule with a quarter-cup of Isnello dirt. Yes, really.

We live in an age when origin stories such as this are scoffed at as clichés, while millions of people hand Hollywood billions of dollars to parse out so-called superhero lineages that require advanced Excel flowcharts. If I shopped Vince’s story to a producer, she’d say, “Where’s the conflict? The suspense? The existential crisis?”

My sister Kristin and I had a miniature existential crisis when we journeyed to Isnello 10 years ago, just to see. Shortly before she died, our grandmother told me it was a dusty, backward mountain village and why would anyone go there? But we went anyway and found a lovely, fully restored town in a gorgeous setting with spruced-up houses testifying to European Union rural improvement funds. It was serene, well kept, quiet, and devoid of any hint that it was Vince’s hometown. No statue, no eponymous plaza, nothing.

So we thought. After traipsing up and down for a couple of hours, we parked on a bench on the main drag, puzzled. Then, Kristin, glancing about, raised her eyebrows and pointed to a blue-and-white tile plaque on the concrete abutment right behind us.

It read “Viale Vincenzo Impellitteri.” A nearby street sign said the same.

We headed happily to the edge of town to an uncrowded café with a viewscape patio and celebrated with a sensational lunch of almond risotto, peasant bread, and olive oil far better than any you can get in the United States.

Are there shoe cobblers left in this world? Young men who work nights to go to law school by day? I don’t know. I am neither of those, although in my entire life I have had just three months when I did not work or go to school, and I intend to keep it that way.

I wouldn’t say Vince told me to do that. He showed me—showed us all—which is far more meaningful. Make your own way, pave your path yourself, do something worthwhile.

As a boy, I’d watch Vince open a box of illicit, expensive smuggled Cuban cigars (he had connections), cut them, and carefully lay them in one of the ceremonial burnished walnut cigar boxes he received as mayor. I’d ask what they were.

“Contraband,” he explained, grinning genially.

My good fortune to have an ancestor like Vince is happenstance. His influence in our extended family has been profound. Though no member of the generations who came after him has reached his lofty heights, he had many nieces and nephews and grand-nieces and -nephews and we have all, every one of us, carved worthy lives for ourselves in this complicated world.

Maybe you have such a forebear, maybe you don’t. We cannot arrange our ancestors. But we can choose what sort of example we set for those who will come after us. When I think of that challenge, I think of my Uncle Vince, who worked his way up to the pinnacle of American life for a worthy goal, and left us a superbly worthy legacy.

From Nov. Issue, Volume 3

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Features American Success

How a Group of Friends Escaped War in Yugoslavia, Found Freedom in America, and Opened Award-Winning Bakery

Can friendship survive a war, migration to another country, and life’s ups and downs? One group of friends from former Yugoslavia has demonstrated that a strong friendship bond can overcome any tribulation.

There’s Uliks Fehmiu, an Albanian who loves acting and still participates in film projects in Serbian and Bosnian; Bane Stamenkovic, whom Mr. Fehmiu first met when he was 7, then going through high school and later mandatory military service together; Igor Ivanovic, who played a pivotal role in Pain d’Avignon’s founding but later left to start his own bakery; and Vojin Vujosevic, who was always the cool kid in the group.

Pain d’Avignon was among the first in the Northeast to offer artisanal bread. (Ed Anderson)

They all eventually made their way to New York to escape getting drafted into the war and, incidentally, fell into the world of baking. Together, they formed Pain d’Avignon, a boutique wholesale bakery for high-end restaurants and hotels in New York. In 2009, the bakery expanded to offer their selections to ordinary New Yorkers via cafes, opening four retail stores alongside pop-ups within hotels across the city.

The path to success wasn’t easy, but every step was buoyed by the knowledge that there was no turning back to the violence and hatred back home. Whatever hardships they would go through, they would go through them together as friends.

“Our story can never be only about the bread and its technical aspect, because to us, it represents this odyssey, this journey, this element of survival, this moment of adaptation … into a new country, new environment,” said Mr. Fehmiu in an interview.

A Friendship Forged

Growing up in Yugoslavia before the Yugoslav Wars broke up the Balkan Peninsula, the group of friends lived in a place not unlike New York: Different cultures and religions intersected in a region bordered by Italy, Austria, Hungary, Romania, Bulgaria, Greece, and Albania. “It’s where Austro-Hungarian and Oriental architecture clash beautifully. Where one could ski in the Alps in the morning and swim in the Adriatic that afternoon. Where, in the same pastry shop, one could find baklava by way of Turkey or Greece and Sachertorte compliments of the Viennese,” wrote Mr. Fehmiu in the bakery’s 2022 cookbook, “The Pain d’Avignon Baking Book.” It was an idyllic time filled with beautiful memories for the four childhood friends.

(L to R) Cofounders Tole Zurovac, Mr. Stamenkovic, and Mr. Fehmiu, with Mr. Fehmiu’s wife, Snezana Bogdanovic. (Ed Anderson)

When, in the late 1980s, tensions ran high and war seemed imminent, the friends each found ways to escape the draft. Mr. Ivanovic became the reason they ended up in baking. After he got discharged from mandatory military service, he headed straight to New York. While there, he hung out with fellow Serbs, some of whom worked for Eli Zabar, a popular bakery and supermarket in the city. He soon found a job delivering bread at Eli’s.

Mr. Stamenkovic joined his family in New York (his father was a textile executive and moved there for business) as soon as he finished military service, while Mr. Vujosevic returned to America for studies at the persuasion of his parents, who saw an increasingly volatile situation back home and wanted him to stay away. For several years, Mr. Fehmiu was the only one remaining in Belgrade, hoping to develop his acting career. But by spring 1992, things came to a head. The military police came looking for him. With his mother’s warning, he was able to stay at a friend’s house and later flee to Macedonia. From there, he made his way to New York.

(This is a short preview of a story from the Nov. Issue, Volume 3.)

Categories
Features Food

Up Close With America’s Favorite Italian Chef Lidia Bastianich

At her home in Queens, New York, Lidia Bastianich cooks with a view of the water. Opposite her sprawling kitchen and dining table, wall-to-wall windows look out over her garden to the idyllic Little Neck Bay, where sailboats bob serenely under blue skies. 

Here is where the Italian refugee turned James Beard and Emmy Award-winning chef, restaurateur, TV personality, and author raised her children and her grandchildren; where she taught Julia Child how to make risotto; where she filmed the PBS shows that introduced millions of Americans to traditional Italian home cooking, inviting them around her table with her signature phrase: “Tutti a tavola a mangiare!” “Everyone to the table to eat!”

“I feel very American, and I feel very Italian here,” Ms. Bastianich told American Essence on a recent visit. There’s the proximity to the water, what drew her to buy the house in the first place 38 years ago—“since I came from the Adriatic, my dream was always water,” she said—and the garden lined with Italian fig and lemon trees, rosemary and wild fennel, grape trellises, and potted tomatoes—all echoes of the Mediterranean. “And at the same time,” she said, “I see the Empire State Building from my house.”

A perfectly ripe fig from Ms. Bastianich’s backyard. (Samira Bouaou for American Essence)

It’s a dual identity that she’s embraced from a young age. When she was 10, she and her family fled their home in communist-occupied Istria, a peninsula in northeastern Italy handed over to Yugoslavia in the aftermath of World War II. They waited two years in a refugee camp in Trieste, Italy, before finding freedom in America in 1958.

The following interview has been edited for clarity and brevity.

Ms. Bastianich harvests her homegrown fennel. (Samira Bouaou for American Essence)

American Essence: What are your strongest food memories associated with the different places in your life’s journey—from your birthplace of Pola, Istria [now Pula, Croatia], to the refugee camp in Trieste, and finally, to America? 

Lidia Bastianich: I have to go back to when I was born: 1947, after the war. The Paris Treaty was in the same month, February, and the border came down: Trieste was given to Italy, and Istria and Dalmatia were given to the newly formed communist Yugoslavia.

We grew up in a country of radical change. Once the communists came, you could not speak Italian, they changed our name, we couldn’t go to church. My mother was a schoolteacher; my father was a mechanic, and he had two trucks. They took the trucks and deemed him a capitalist; they put him in jail for it. So life wasn’t that easy. Even food was scarce. My grandmother, who was in a little town, Busoler, outside of Pola, she raised food and animals to feed the whole family, so my mother took my brother and me out of the city and put us with Grandma. And I think that’s where my first basic food connections happened.

Ms. Bastianich around age 5. (Courtesy of Lidia Bastianich)

With my grandmother, we had chickens, we had ducks, we had geese, we had rabbits, we had goats, we had pigs, we had pigeons. Now and then it was a chicken that went into the pot, then it was a rabbit, then it was a pigeon. I would be feeding these animals. In the springtime, the rabbits loved clover, so I would go and harvest clover in the woods. We would milk the goats, make ricotta. We had two pigs every year, and slaughter was in November, so you had to feed them to get them nice and fat. After the slaughter, we made the sausages, the prosciutto, the bacon. 

RECIPE: PORK CHOPS WITH MUSHROOMS AND PICKLED PEPERONCINI

(This is a short preview of a story from the Nov. Issue, Volume 3.)

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Features

Between Fact and Fiction: Bestselling Author Brad Thor on How His Thrillers Draw From Real-World Security Threats

Bestselling author Brad Thor, who writes a thriller every year, is known to tackle emerging security topics and create novels characterized by assiduous research and imaginative plots—what he calls “faction.” This wasn’t lost on the U.S. government, which tapped him to join its Analytic Red Cell program to come up with plausible scenarios involving threats and attacks on the United States.

With his latest novel, “Dead Fall,” he took a different tack, writing about the Ukraine–Russia conflict—as it was happening. We spoke to Mr. Thor about his recent book as well as his views on America’s role in the world.

“Dead Fall” (Simon & Schuster, 2023) takes place in Ukraine, where a mercenary unit of the Wagner Group has gone rogue.

American Essence: What was your experience writing this book in real time?

Brad Thor: So it was interesting. There was a certain amount of trepidation on my part that the headlines might get out in front of me, as opposed to me being in front of the headlines, which is what I like to do. But I have to be honest with you, I grew up reading fabulous thrillers that were set in World War II. I always wished that there was a similar setting that I could place my hero Scot Harvath in, and when the war in Ukraine broke out, I thought, OK, this is my opportunity to do my own version of some of my favorite movies like “Saving Private Ryan” or “Fury” with Brad Pitt, or the HBO series “Band of Brothers.”

There were very definitive bad guys. There was lots of what we call the fog of war, lots of confusion, lots of difficulties with getting men and matériel to the front lines. It seemed like the perfect setting to put my hero. I like to put him into very difficult situations without a lot of support. I didn’t want to send him into the story with an army right behind him. I wanted to send him in as poorly equipped and undermanned as possible so that that would raise the stakes and the tension. So Harvath had to go by himself. He had to join the Ukrainian international Legion, so that if he got killed or captured, the United States could say, “We have no idea why he was there.” That was the jumping-off point for “Dead Fall.”

What we’re seeing here in Ukraine is very much an echo of the run-up to World War II, particularly when the Republic of France, fascist Italy, and the United Kingdom via Neville Chamberlain decided to allow Hitler to take a piece of Czechoslovakia called the Sudetenland. [They] thought, “Well, if we let Hitler have this, then that’ll be the end of it.” And what do we all know from history? It wasn’t the end of it. It only encouraged him. And that’s exactly what’s happened with Putin. In his 2014 invasion of the Donbas in eastern Ukraine, he said he was there to protect ethnic Russians. With my book, I saw all of these parallels from August to October of 1944. Hitler sent one of his worst SS brigades into Poland, and some of the most horrific, the most terrible war crimes of World War II were committed by the SS brigade, so we were seeing a lot of echoes of that with Russian troops, and particularly the Wagner Group, part of the mercenary force that Putin was using in Ukraine as well.

A young girl holding a Ukrainian flag runs in front of a destroyed cultural center during the graduation ceremony of art students in the town of Derhachi in the Kharkiv region of eastern Ukraine. (SERGEY BOBOK/Contributor/AFP/ Getty Images)

AE: There is a humanitarian aspect to this book. It involves rescuing a U.S. citizen and orphans. But what’s also at stake are Ukrainian cultural treasures and artwork—and as you mentioned in the book, the identity of a nation. How did that idea come about?

Mr. Thor: The Nazis looted treasure throughout Europe. There were only so many things that the Louvre was able to hide and get away before the Nazis came into Paris. A genocide of a culture exists on many different levels. Obviously, when we hear the word genocide, we think of killing people, and that is absolutely the worst. There’s also kidnapping the children and killing the children, consuming them, if you will, pulling them into your culture, which the Russians have done in Ukraine. A final part of genocide is to wipe out any trace of the culture and history, particularly their art. I was inspired by the movie with George Clooney and John Goodman, “The Monuments Men,” where they were trying to rescue pieces of art. That was another pop culture touchstone for me. And I love the book “All the Light We Cannot See,” which was a Pulitzer Prize winner. It starts with a young girl and her father who works at the Louvre and they have to get out of Paris because the Nazis are marching on Paris.

So this idea of art and what the Russians are doing in Ukraine, I read lots of articles leading up to the invasion about how different museums throughout Ukraine were trying to pack away and hide their precious works of art because they knew Putin was going to try to steal them.

(This is a short preview of a story from the Nov. Issue, Volume 3.)

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Features Food Lifestyle Recipes

Ranching Roots to Stardom: Country Queen Reba McEntire Shares Life Lessons

Some would say the McEntires are a very set-in-their-ways, stubborn, hardheaded bunch of people. But I think that hardheadedness is what got Daddy to where he was, Grandpap to where he was, and his father, Pap, to where he was. Some might say it wasn’t all that far—but it was much further than where they started!

None of us McEntires came from money, but each generation’s been a little more prosperous than the one before it. My daddy, Clark, was determined to make a better life for himself than the one he’d been handed. Like Grandpap before him, Daddy had the rodeo bug. He knew that rodeo couldn’t pay all the bills, but it sure helped get him started.

Take, for instance, one time when Daddy won a roping competition. The prize was a new car and 500 dollars cash. He gave it all to Mama and sent her to swap it for 80 acres of land that Uncle Dale, Mama’s brother, owned. That gave Daddy enough space to expand his ranch with more cattle. It was the start he needed. A few years later, in 1957, Daddy and Mama were able to buy a much bigger plot of land in Chockie, so he moved the family and all the cattle over there. Not exactly the land of milk and honey, but little by little, he was moving on up.

Ms. McEntire’s grandfather, John McEntire, competing at Cheyenne Frontier Days in Cheyenne, Wyo., 1934. (Courtesy of Reba McEntire)

Land in Chockie was only $6.40 an acre, and there was good reason for that! A lot of neighbors called it “sorry land,” and they warned Daddy not to buy it. It was rocky, hilly, and didn’t grow much except briars and scrub brush, but he saw something no one else saw in that “sorry land.” He turned a profit selling timber to the paper mill and rocks to the architects in Dallas. Then he struck gas.

That sorry land turned out to be worth more than anyone realized.

Daddy liked the rodeos, but he loved ranching. Rodeoing and selling timber, rocks, and natural gas all helped in the progression of our ranch. Daddy had to travel to compete in rodeos, but he wanted to be home on the ranch.

But ranch life is not an easy life. Maintaining the land and cattle takes time, and you can’t skip a day just because you’re worn out. Working the land was a whole family affair. The only time you wouldn’t find us kids helping out was when we were in school. I thought that going to college would give me a break. Nope. I was wrong. Daddy had leased some land halfway between home and the Southeastern Oklahoma State University in Durant, Oklahoma. So every other day, after my classes, I loaded 30 fifty-pound sacks of feed into my pickup truck and fed the 300 head of cattle.

Not quite the college experience everybody else had!

I didn’t really know anything else though. I had started pitching in before I could even sit in a saddle. I don’t remember exactly the first time I was on a horse, but it feels like I was born riding. Us kids spent a lot of time rounding up cattle. It was rough country, and often we’d have to ride through brush and briars taller than we were on the off chance we’d find even one lonely steer. There was always more work than hands to do it. We got cattle in the spring, straightened them up, and shipped them off to the feed lots in the fall.

Reba McEntire (center) rides on the family ranch in Chockie, Okla., alongside her parents and siblings Susie, Alice, and Pake, while filming the “Reba: Starting Over” CBSTV special in 1995. (Courtesy of Reba McEntire)

Daddy always had a plan to get the job done. Problem was, he wasn’t the best at relaying his plan to the rest of us. He was usually looking the other direction or doing three things at once when he was giving us our instructions for the day. Most of the time, we only got a quarter of what he was trying to tell us. We always looked to Grandpap for an interpretation. I’m sure glad we had him to help us out!

The most important thing about helping out on the ranch was getting in line, doing your part, and following instructions. If our instructions were to sit at a gate until Daddy returned, under no circumstances were we going to abandon our posts. You sat at that gate until Daddy came back and told you that you could leave. It could be several hours, but that didn’t matter. Hot or cold, rain or shine, you stayed glued to your saddle.

It was out there in those hills that I first learned that the work is in the waiting.

Fast-forward 15 years, when I got into the music business. I knew less than nothing about how it all worked. I thought that once your record got on the radio, you got a tour bus and a big ol’ check. You’d made it. You were a big star. Wrong!

I remember being so excited when I heard my debut single playing on our staticky, old radio for the very first time. Mama, Susie, and I were all sitting on the floor, crying with joy, thinking, “This is it.”

But then—not much happened. No fancy tour bus or big royalty check appeared. I felt pretty sure that God had called me to the dream of singing, but much like my daddy giving me instructions up in the hills, it felt like I had only gotten a fourth of what God said, and I knew I needed to wait for more information. So just like I learned as a kid, I stayed patient. And I kept working.

“Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots” by Reba McEntire (Harper Celebrate, 2023).

From hearing that first song on the radio, I spent the next seven years traveling around, playing everywhere I could, living on greasy burgers and corn dogs at truck stops and county fairs from Los Angeles to Boston—seven years of performing at fairs, rodeos, and honky-tonks, singing over bar brawls, tractor-pull competitions, and bull sales. Seven years of patience before I had a real hit, “Can’t Even Get the Blues,” in January 1983.

Even with that hit, the first time I headlined my own show, in 1984, only 800 people showed up, and I actually lost money. I had to write a check to get out of town because I didn’t sell enough tickets. And I thought, “Welcome to the big time!” I sure did appreciate the few who did show up, though!

Thank God for that McEntire determination.

When it came my turn to be a parent, I was determined to teach my son, Shelby, how important hard work is too, but I didn’t need to worry. From an early age, Shelby was a very determined young man. He has a great work ethic. When it came time for him to start his own career, he put his nose to the grindstone. When Shelby told me he wanted to be a race car driver, I wanted to help but had no clue where to start. If there had been a “Racing for Dummies” book, I would have bought 10. I asked anyone I could think of for information, but no one I knew had much advice to give. Scott Borchetta, head of Big Machine Records and a former race car driver himself, told me to buy him a go-kart. But Shelby already had a go-kart! So, we bought Shelby a membership to the Skip Barber Racing School. It’s a school that teaches kids the racing business, and it allowed him to race in as many races as possible. You have to pay your dues in racing, just like you do in the rodeo and music businesses. Shelby raced in the Southern and the Western series. He drove eight to nine races a day for three days every weekend. I gave him my airline miles and hotel points from years of touring, and he flew on Southwest and stayed in the cheapest motels to make the most of it. Funny part was, he was too young to rent a car, so he had to get a taxi or bum a ride to the track.

Ms. McEntire with her son, Shelby, at the race car track. (Courtesy of Reba McEntire)

Shelby could have followed his daddy’s, Narvel Blackstock’s, footsteps into music management, but he chose to chart his own course. He’s now into real estate and developing property. You don’t think your kids listen to half of what you tell them, but Shelby did. I’m so proud of him. He’s kind and confident and is building a life that he’s proud of and that makes him happy. And he still wants me to be a big part of that. I am so grateful.

Most of what you hope for in this life takes time and some old-fashioned stick-to-itiveness. None of us in the McEntire family were overnight successes. From generation to generation, we just keep learning, dreaming, and working hard.

One thing I’m sure of: Good things won’t come if you give up and go home.

RECIPE: Mama’s Pimento Cheese Sandwich

RECIPE: Fried Green Tomato Slices

Taken from the chapter “A Lot of Hope and Hard Work” from “Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots” by Reba McEntire. Copyright 2023 by Reba McEntire. Used by permission of Harper Celebrate.

Categories
Features

Award-Winning Photographer Shares His Adventures While Capturing Animal Species on Camera (Photos)

During the pandemic, when we were denied access to the world and were left only with our personal spaces—our homes, our backyards, at most our neighborhoods—photographer Joel Sartore, recipient of this year’s Indianapolis Prize Jane Alexander Global Wildlife Ambassador Award, found some comfort in the fact that people were finally finding joy in the small things.

Undistracted by big jobs, big journeys, or big plans, people started focusing on their inner lives, their families, and their communities. Some took up gardening, bird-watching, or drawing. They saw the detail, they appreciated the quiet. They seemed to have grasped that the small things in life mattered hugely. For a while, at least, they gave the small things the recognition they deserved.

Mr. Sartore was pleased to see this because, for more than a decade and a half, he had been beating the drum for the tiny creatures we rarely find the time to notice. “I’m the person who captures the insects and amphibians, the mollusks and minnows, and all the other creatures that get no airtime in debates about the catastrophic extinctions that are happening on our planet. I hope my photographs give a voice to the flying, crawling, swimming, walking, wading, breathing beings that live and die unseen and unheard.”

Portrait of Joel Sartore. (Joel Sartore/National Geographic Photo Ark natgeophotoark.org)

A Mammoth Task

In truth, Mr. Sartore, a career photographer who has won the world’s largest prize honoring animal conservation efforts, is in the process of photographing all manner of animals—great and small—for his remarkable National Geographic Photo Ark project. His plan is to eventually document every species in human care—that is, in zoos, sanctuaries, aquariums and the like—as a way of highlighting what we stand to lose if we do not wake up to the damage we are doing to our planet. As of the time of writing, he has documented 14,702 out of an estimated 25,000 in human care, and he has no intention of stopping. “The fact is, we actually don’t know how many species there are,” he said, “but if we do not change our behaviors, there will certainly be far, far fewer by the end of the century.” The Photo Ark is his way of trying to prevent that catastrophe from happening. “We are destroying oceans, prairies, marshes, forests, and in doing so, we are making so many animals extinct. Just wiping them out. We ignore their loss at our peril.”

Mr. Sartore draws an excellent analogy to illustrate his point that every species we drive to extinction brings us one step closer to our own destruction. “Our ecosystem is like a beautifully balanced Jenga tower. Removing even a single piece could destabilize it. And yet here we are, taking out one block after another. If we don’t stop, we’ll reach the tipping point, after which—well, after which, the whole lot will come crashing down, taking us down with it.”

Close Encounters, of the Wild Kind

He started the Photo Ark in 2006, after his wife, Kathy, was diagnosed with breast cancer. Before that, he’d been out in the field almost constantly on assignments for National Geographic, traveling from pole to pole, from sunrise to sunset, in freezing temperatures and baking ones. He has a talent for taking once-seen, never-forgotten images: shots that sear themselves onto the mind and which inspire wonder at the sheer miracle of nature. It’s impossible to grow tired of looking at the spellbinding picture of a golden lion, high in a tree, all aglow against a midnight sky; or a bloodied polar bear, peering through the window of Mr. Sartore’s truck, minutes after having put its face into what remained of a whale carcass. And then there is the extraordinary shot of a grizzly bear, jaws flung wide open in anticipation as a salmon flies straight toward it.

Mr. Sartore photographs Johnny, a serval, at the Lincoln Children’s Zoo in Lincoln, Neb. (Joel Sartore/National Geographic Photo Ark natgeophotoark.org)

In others, it is the interaction between him and the animals that arrests. Butterflies dance on his face, mosquitoes drain his feet of blood, walruses bask alongside him as he snatches a nap. Each one has a story; each one is a story. “Ah, the mosquito one—that was something. It was taken on the North Slope of Alaska, an area renowned for its mosquitoes. I’d been there for a few days, but wasn’t thrilled with anything I’d done, so I took off my shoes and socks and let them at me for about 20 minutes. I can still hear the noise of them—crackling, taking their fill. I scratched my feet raw, but I got one of the most talked-about pictures of my career.”

He’s also been charged by grizzly bears and musk oxen, been pooped on by Marburg virus-carrying fruit bats in Uganda, and survived leishmaniasis, which he developed after being bitten by a parasite-infected sandfly in Bolivia. The infection spread to his lymph system, destroying the flesh on his leg. It took surgery and chemotherapy to help him beat it.

None of this deterred him from shooting out in the wild. It was only his wife’s illness that grounded him, literally and metaphorically. “I wanted to stay home in Nebraska with Kathy,” he said. “Even after she recovered, I decided the time had come to draw a line under my field work. My focus had changed, plus I realized that the big picture—creating compelling images that might encourage people to consider the impact of their actions on wildlife—might be served by the small picture, that is, a portrait of an animal, with captions that told you all about it, and whether it was in danger or not.”

A koala with her babies at the Australia Zoo Wildlife Hospital. (Joel Sartore/National Geographic Photo Ark natgeophotoark.org)

Animal Close-Ups

Each creature is photographed against a stark black or white background, and, whenever possible, looking out at the viewer. Eye contact is key, said Mr. Sartore. “It brings immediacy, it brings intimacy, it brings empathy. I hope it brings understanding and awareness.”

In some cases, people are looking straight into the abyss of extinction. In 2015, he photographed Nabire, a northern white rhino, at Safari Park Dvur Kralove, in the Czech Republic. She died one week later, which means there are now only two of her species—both females—left. Mr. Sartore tries to keep his emotions under control when working, but he admits that photographing Nabire was profoundly moving. “I felt I owed her an apology, on behalf of the human race,” he said.

As such an impassioned animal lover and conservationist, does he feel in any way conflicted or saddened about seeing and photographing animals in zoos? “No, not at all. Zoos and sanctuaries preserve and conserve species, and they aim to educate millions of visitors every year.”

It was on trips to the zoo with his parents as a child that his passion for wildlife began. “Those visits, and the books we read as a family, shaped my path. I remember finding out about the extinction of the passenger pigeon, and feeling so sad that that had been allowed to happen. And yet here we are, all these decades later, still losing species. I hope people will look at all the animals in the [Photo] Ark, from the largest to the tiniest and from the ones we coo over to the ones that we recoil from and realize that they all have their place in the world, and that humankind should do its best to protect them all.”

An endangered Coquerel’s sifaka, a species of lemur. (Joel Sartore/National Geographic Photo Ark natgeophotoark.org)

What We Can Do To Help

If there is one message Joel Sartore would like to communicate, it is that each and every one of us can do something to help preserve our planet’s incredible diversity. Here are five foundational tips he says we can all follow:

1. Consume less. Whether it’s food, clothing, water, or utilities, try to reduce your usage. Buy from thrift stores, swap clothes and books with friends, and shave 30 seconds off the time you spend in the shower. Tiny changes to your daily routine will have a big impact.

2. Think before you eat. Cutting down on meat is good for your own health as well as that of the planet, but try to make informed choices about the rest of your groceries. Many processed food products contain palm oil. Conversion of tropical forests to oil palm plantations devastates plants and animal species and increases human-wildlife conflict as animal populations have their natural habitats destroyed.

3. Flick the switch or unplug your electrical equipment and devices when you’re not using them.

4. Ditch single-use plastic. Always pack your water bottle and coffee cup with you, and avoid products that come in plastic, such as potato chips. Try to save any plastics you have accumulated and take them to a recycling point if your curb-side collection doesn’t include them.

5. Quit pesticides, herbicides, and fertilizers. Plant nectar-bearing plants and milkweed to attract monarch butterflies and other insects. Let parts of your garden go wild. You might be amazed at the creatures that move in.

From Oct. Issue, Volume 3

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Features

Country Star Trace Adkins Uses The Power of Music to Pay Tribute to Veterans

Somewhere in America, Trace Adkins is singing. Over the airwaves, through the internet, live and in person, or in the heads of millions of fans, his songs tell the stories of the land. He sings:

There ain’t no good news on the 6 o’clock news these days,
But don’t you get down, take a look around,
It’s all over the place.
It could be Carolina, could be California,
There’s a dirt road class with a shirt on their back;
If you ask, they’ll put it right on ya.
They say the world is endin’,
But from where I’m standin’, there’s still a jug to share,
Couple bucks to spare, still got a prayer,
Somewhere in America,
Somewhere in America.

The song, titled “Somewhere in America,” from Mr. Adkins’s 2021 double album “The Way I Wanna Go,” is an anthem to the endurance of ordinary men and women in the face of upheaval.

“For me, it was a message of hope. With all the insanity we seem to be exposed to on a daily basis, there’s still good common-sense people out there doing the right thing, helping a neighbor out when they need help, giving you the shirt off their back if you need it,” said Mr. Adkins by phone from his home in Nashville.

Though you can’t tell from their outer appearance, there are heroes among those common-sense folk: our country’s military veterans. “I believe the word hero gets thrown round too often, but these veterans are actually heroes, and if you have the chance to associate with heroes, you should do that. Maybe some of it will rub off on you.”

Mr. Adkins shakes hands with a Marine prior to a football game at the Nissan Stadium in Nashville, Tenn., 2019. (Frederick Breedon/Stringer/Getty Images Sport)

Honoring the Military

A lot of it must have rubbed off on Mr. Adkins by now. Over the years, the 61-year-old country music star has devoted a great deal of time and energy to military and veteran causes. Through the United Service Organizations (USO), he has performed for troops around the globe. In 2010, …

(This is a short preview of a story from the Oct. Issue, Volume 3.)

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Features American Success

From Fateful Fall to Winning Olympic Gold, Snowboarder Lindsey Jacobellis Shares Her Journey of Self-Discovery

Sports, like life, can be unforgiving. If anyone in the world of sports knows what that is like, it would be Lindsey Jacobellis.

Ms. Jacobellis is the most decorated snowboard cross athlete of all time (snowboard cross is a competition involving going downhill among turns and jumps). Her longevity and continued success is a testament to her work ethic and her natural talent. But, as is too often the case in the world of public opinion, a single misstep that accounted for mere milliseconds has long been the haunting taunt of her career.

In 2006, during the snowboard cross event at the Winter Olympics in Torino, Italy, Ms. Jacobellis had a commanding lead over the three other contestants. The speed and turns had thrown two off the track, and Swiss snowboarder Tanja Frieden lagged behind in second. But in the second to last jump, only seconds from the finish line, the inexplicable happened.

Ms. Jacobellis grabbed her board to perform a move called a method. It is a relatively simple and common trick. But she hadn’t planned for it. It was muscle memory taking over, and she fell. As reliable and absolutely necessary as muscle memory is in sports, in that moment, it failed her.

“I spent a lot of time in therapy trying to find out the root cause of what really happened, and I couldn’t come up with anything other than it was that lapse in judgment—just dropping the ball, whatever sports metaphor there is,” Ms. Jacobellis said in an interview. “It was just something that happened that I can’t actually look back and understand why.” At the time, the general consensus in the sports world was that it was showboating gone horribly wrong. But for anyone with a keen eye, it appeared as if she tried to restrain the move while performing it: a decisive moment filled with indecision.

For athletes competing at the highest levels—and one cannot reach higher than the Olympics—a misstep, an injury, a malfunction can leave a searing mark that may never heal. When that mark is self-inflicted, the healing process becomes even more difficult. These are traumatic moments that leave athletes haunted by what-ifs. Ms. Jacobellis, then 20 years old, was not given a moment to gather her thoughts. Reeling from the disaster, trying to understand the moment while still in it, she was bombarded by journalists with probing questions.

“I had media training, and they want you to be articulate and to make sure you are representing your country well and are being a good sport,” she recalled. “So I’m proceeding through this procession of one after another. You’re trying to be a good sport while at the same time trying to understand what actually happened. [In those interviews,] you can see that I’m sort of all over the place. I was not giving a different excuse, but a different response with each interview, which only opened me up for more ridicule.”

Ms. Jacobellis in the lead, during the FIS Snowboard World Championships held in Utah, 2019. (Ezra Shaw/Staff/Getty Images Sport)

In her new book scheduled for release in October, …

(This is a short preview of a story from the Oct. Issue, Volume 3.)

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Features American Success

Indy 500 Champion Won Race on 12th Try, Perseveres With Dad’s Advice: “Pursue It to the Very End”

Being a professional adrenaline junkie requires a cool head, according to Josef Newgarden, the newest Indy 500 champion. The open-wheel car racer had run the race 11 times prior, and he said the only difference between the 11th and 12th times was the fact that, as this latest attempt drew to a close, he saw he had the opportunity to fight for the finish, and he did.

“I think you just have to be prepared for the opportunity to win the race,” said Mr. Newgarden, who has been racing the IndyCar Series for 12 years and joined Team Penske in 2017. There was a tremendous moment of recognition, he acknowledged, but the very next weekend, they had a race in Detroit—the Indy 500 is only the sixth race of the season, after all.

The Indianapolis 500-Mile Race is the premier race of the top-level IndyCar (American open-wheeled car) race series. Traditionally, 33 drivers speed around the Indianapolis Motor Speedway 200 laps on Memorial Day weekend with nearly 300,000 spectators and crew packed into the space. “It’s the Super Bowl of our sport, if you will,” Mr. Newgarden explained. And the energy there is palpable.

“It’s really a sight to behold.” His first race, he felt engulfed in something extraordinary. “I remember feeling in awe of what the event represented and the magnitude of it, it’s really what you feel, the enormity of what the Indianapolis 500 is. That always sticks with you—certainly the first one, but all the way up to my 12th.”

The energy of the crowd so inspired Mr. Newgarden that moments after winning, he took off through a hole in the fence to spend the first moments of victory with fans before returning to the traditional ceremonies.

Josef Newgarden emerges victorious from the Indianapolis Motor Speedway in Speedway, Ind., May 28, 2023. (LAT)

Hard Work and Belief

For Mr. Newgarden, the word success brings to mind the idea of hard work.

Mr. Newgarden grew up watching racing on TV, introduced to it by his father and grandfather, both great fans of the sport. From as early as he can remember, Mr. Newgarden said he begged his father for a kart, and it wasn’t until he was 13 that his father relented. Professional go-karts are far from the amusement park vehicles that come to mind for most. They are used for racing and look like smaller versions of Indy cars. Mr. Newgarden played other sports, like baseball and basketball, but he had a passion for racing that far exceeded a hobby.

The family lived in Tennessee and traveled weekly to Indianapolis in order to compete.

“[My father is] certainly someone who has the belief of: If we’re going to try to pursue something, we’re going to pursue it to the very end,” Mr. Newgarden said.

He modeled the ability of being able to stay positive and motivated no matter the external circumstances, and it would prove invaluable for Mr. Newgarden. Between ages 16 and 17, Mr. Newgarden was out of school regularly for competitions, wondering if he would be able to make it professionally. Many, many other aspiring racers have this story, he added, dealing with the constant struggle of securing sponsorships and planning the next move. At times, it was demoralizing and demotivating. But his father’s steady approach taught him the art of “great perseverance.”

“He was the ultimate believer that we could do anything or figure any situation out. You have to be realistic but you also have to have that unwavering belief that you can continue to work hard and figure any situation out, or any challenge out,” Mr. Newgarden said. If there was no sponsorship, maybe it meant passing on the immediate race and putting together a business plan for the next. There was always a path forward.

“That, to me, is the biggest gift that you can give to someone who’s young,” he said. Mr. Newgarden and his wife welcomed their newborn son last year, and he looks forward to imparting the same gifts and lessons that his father taught him.

Race day on May 28, 2023, was much the same. The win was the result of steady, hard work, Mr. Newgarden said, and brilliant teamwork.

Mr. Newgarden (#2 Team Penske Chevrolet) and other drivers in a tight race during the NTT IndyCar Series at the Texas Motor Speedway in Fort Worth, April 2023. (Sean Gardner/Stringer/Getty Images Sport)

The Perfect Race

“I’m a very competitive person, it really drives my life and I have to be competing at something,” said Mr. Newgarden. A driver has to enter each race believing in the opportunity to win, he said, but the Indy 500 is a kind of exception.

“It’s the hardest race to put together. Even if you were a great driver on the day, or you have the fastest car on the day, it just does not guarantee a victory. There’s just so much that has to go right,” Mr. Newgarden said. The Indy 500 is a race you may never win. “I know a lot of drivers that probably deserved to win the race that never won it.” Understanding that is freeing, in a way.

From the outside, racing may seem like a solo sport—much of the attention falls on the driver. In reality, Mr. Newgarden said, it’s not so different from football or a high-achieving company.

“There’s a whole team that is built around optimizing that race car and making it as fast as possible and trying to execute a perfect race,” he said. “I love that. I love the engineering that goes into it, the team dynamic. … We’ll have 80 to 100 people there across the month working on three cars, and we’re all pulling in the same direction.”

All races are team-intensive, but none so much as the Indy 500. Everyone has to execute perfectly down to fractions of seconds, and there are numerous variables beyond the control of any one person. “I’ve got to be perfect on that day, but if we’re not perfect as a team, we just will not win the race. It takes a big effort from everybody,” Mr. Newgarden said.

“It’s impossible to do almost anything in this world alone,” he said.

From Oct. Issue, Volume 3

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Features Lifestyle

Hemingway’s Granddaughter Finds Peace Through Family, Faith

Mariel Hemingway was born four months after her famous grandfather, Ernest Hemingway, committed suicide with a shotgun. Growing up in a family blessed with creative passion and shadowed by mental health crises was a balancing act if ever there was one.

“There have been seven suicides in my family. While it is amazing to be Ernest Hemingway’s granddaughter, there were moments when I thought, ‘Oh no. Does this mean I’m next?’” Hemingway said.

As a child and young adult, she watched the members of her family struggle with their passions and their pain, and she felt her own lack of balance threatening to derail her. The so-called “Hemingway curse” weighed down on her. Until she decided to fight back.

“Sometimes we put meaning to something that happened in the past and think it’s a curse. We have the ability, though, to change how we think,” Hemingway said. “The way to create a world where you’re not a victim of where you came from is to define your story. Awareness is everything. Once you become aware of the story, you don’t have to be its victim.”

Now, the actress—who began acting at age 14—is also a writer, public speaker, and outspoken mental health advocate. She’s passionate about encouraging others along their own mental health journeys, and sharing how her holistic lifestyle is central to her happiness and well-being.

American Essence spoke with Hemingway from her home in Venice, California, about her childhood, a life-changing experience with the Dalai Lama, and her routines and rituals for wellness and balance.

This interview has been edited for clarity and brevity.

American Essence: What were the steps of your own mental health journey, from the time you were a child until you started to find your own balance?

Mariel Hemingway: I grew up in this amazing, creative family. However, my father suffered because his father, a great man, was probably not a great father. My father drank a lot. My mother also drank. She had lost her first husband, the love of her life, in World War II. They’d only been married for nine months, and he was shot out of the sky. There was a tremendous amount of tension between my father and my mother.

I spent a lot of time as a child trying to make myself invisible, at the same time wanting to be noticed. I used to go outside and hope that somebody would notice I was gone. I’d come back after hours had passed and nobody had realized I wasn’t there.

When I was about 10, I decided I was going to fix them all. I was going to pick up the wine glasses and broken bottles after they’d had a fight. I really believed it was my role. I feel for my parents because my two older sisters both had mental illness. And me, I was the good girl, doing everything right and helping Mom and cleaning the house, thinking that I could be the savior.

At the back of my mind was always the fear that I might end up like my mom or dad or my sisters. I started to think the way to control myself was to control what I ate, my exercise—I overdid everything in order to try to find balance.

Over time, and trying to follow gurus and diets and exercise routines, I realized that my solution was within me. I spent countless years giving my power to everybody else and thinking that somebody had an answer for me until I realized it was me.

AE: How did you come to realize that you already held the answers?

Ms. Hemingway: I had an experience in India with his holiness the Dalai Lama. It was in a small group of people and he was listening. I sat next to him. He kept looking at me—he has this wonderful smile. The other people were asking important questions and I was just sitting there. But as I stood up to go, he put his hand on my hand and he looked me in the eye and he said, “You’re OK.” And he took my breath away.

Over the next couple of years, day by day, I understood it more: “Oh, I am OK!” Now that’s my message to others: You’re already OK. Let’s find the tools that work for you to chip away at habits of mind or body that interfere with you being OK. I want to help people break free of belief systems that tell them they’re not OK, they’re broken. I don’t believe anybody’s broken.

Mental health is an ongoing journey. Every day I’m finding my balance. You need to find peace within the choices that you make, or you will be chaotic. We need to find our balance every single day.

AE: What are your tools for finding your balance every day?

Ms. Hemingway: My tools are my lifestyle, which is simple and ritualistic. My lifestyle is the only reason that I am feeling happy, healthy, and better about my life than I ever have.

Morning is a very important time for me. How you start your day is how the day will unfold. I start my mornings with a prayer, by being grateful, and by paying attention to my breath.

One of my tools is belief in something greater than myself: I believe in God and that belief is strong in my character, and it is a connection to earth and all that is beautiful. Nature was always the thing that literally grounded me when I was a child. I didn’t know that the fact that I loved being barefoot was actually helping me.

Being intentional is an important tool. Making deliberate choices about food, being aware of my breath, my thoughts, aware that I drink water. We take these things for granted, but if we start to pay attention to them, we start to live in the present.

To be present is to know where you are in the moment. Multitasking is really just an inability to stay here. If we aren’t present, we can get wrapped up in what has happened or what’s going to happen and we forget about the importance of this moment, right now.

AE: What advice do you have for someone who is struggling?

Ms. Hemingway: Talk to somebody right away. Don’t let it fester inside and become bigger than it needs to be.

Then, try to look at your lifestyle and habits and see where you could make some shifts. Lifestyle is powerful. Food is really significant: If you’re eating too much sugar or processed food, it all has an effect. Stick with simple, real foods.

Try to form habits of being outside and getting connected with the earth. A while ago, I had a friend who was really struggling. I phoned him and recommended that he go outside. I said, “I want you to look up at the sun. Take your shoes off, even if you’re in the city. Sit there, stand there, walk, whatever. Take at least 20 minutes and then call me back.” He called me in about an hour and a half and said he couldn’t believe how different he felt. When you change your energy by going outside, it’s going to shift things.

Laugh, play. I remember when my kids were young, I would watch them play and feel jealous. I grew up in a family where I became an adult too fast, and I didn’t know how to play. But if you think about it, play is instinctive to children. Why shouldn’t we adults also have fun and play?

AE: What can people do to help when someone they love is struggling?

Ms. Hemingway: Listen. Don’t say anything. Anybody who is struggling needs to be heard. Learn to be a good listener. Most people don’t know how to listen because they’re thinking about what they want to say. If somebody’s in pain, they probably feel isolated, lonely, unheard, and unseen. For you to witness them in their pain is the most powerful thing you can do to help.

At a Glance

Lives in: Sun Valley, Ida. and Venice, Calif.

Notable Films: “Lipstick” (1976); “Manhattan” (1979); “Running From Crazy” (2013), a television documentary about her family; “God’s Country Song” (2023)

Notable Books: “Finding My Balance: A Memoir” (2001), “Out Came the Sun: Overcoming the Legacy of Mental Illness, Addiction, and Suicide in My Family” (2015)

From Sept. Issue, Volume 3

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Features

Always a Jet: ‘West Side Story’ Actor on Giving 180 Percent to All He Does

David Bean has been a teenage gangster, a lost boy, a farmer, and an author—the first two on stage and screen, the latter two in real life. Real life and the actor’s life flow together in his 2021 memoir, the subtitle of which is apt: “The Story of a Dancer’s Extraordinary, Ordinary Life.” 

The title of his book, “When You’re a Jet,” gives away the gangster identity. Bean played Tiger, one of the Jets in the 1961 film of “West Side Story,” as well as other Jet roles in the London and British touring productions of the celebrated musical. As his biggest claim to fame, the movie role occupies the biggest chunk of the book. In an interview, Bean explained why he believes “West Side Story” was one of the most important musicals of the 20th century: “The genius of the men who created ‘West Side Story’ will never be equaled. The passion of Leonard Bernstein’s music, the passion that [choreographer] Jerry Robbins instilled in each of us to tell the story in dance, and the lyrics of Stephen Sondheim that were real and effortless to perform.”

Bean spoke from his home in Clifton Corners in upstate New York, where, at 83, he lives the placid life of a farmer, doubling as an assistant at his daughter’s place of business, the Jeanie Bean & Family Deli & Café. After the 1970’s and leaving show business, Bean and his wife explored a number of post-dance businesses, including real estate sales, art restoration, construction, picture framing, and, most prominently, farming and the restaurant business.

David Bean at his home in Clinton Corners, N.Y. (Samira Bouaou for American Essence)

It’s an amazing contrast to the visceral, dynamic, peripatetic life of a Broadway and Hollywood dancer-actor that he led in his younger years. In those halcyon days, he met and rubbed shoulders with the likes of Marlon Brando, Marilyn Monroe, and Richard Nixon. Today, he supervises the frozen food selections at his daughter’s deli. The ordinary indeed meets the extraordinary in the life of David Bean.

Starting Out

“When You’re a Jet” is a time capsule of what it was like to work as a dancer in theater and film during the 1950s and ’60s. Bean entered that world as a 14-year-old when he won an audition to play one of the “Lost Boys” in the 1954 Broadway musical adaptation of “Peter Pan.” Its star was Broadway legend Mary Martin, but it was two men associated with “Peter Pan” who became important figures in Bean’s life. One was the choreographer Jerome “Jerry” Robbins, the other was actor Cyril Ritchard.

Robbins was one of the most important dance creators in Broadway history. As of 1954, his biggest credit was the choreography for Rodgers & Hammerstein’s “The King and I.” He had also choreographed ballets, including “Fancy Free,” to music by Leonard Bernstein. With “Peter Pan,” he entered the challenging arena of creating dances for characters who flew and whose numbers included seven young teenage boys. Bean came to admire Robbins as an exemplar of what he calls “the 180 rule”—an attitude that demands 180 percent from oneself. Bean explains in the book: “As a young boy, whenever Dad would offer me an important job, I would eagerly accept. … Before he would tell me what the job was, Dad would typically remind me, ‘Now this job is really important, and I know you’ll give me 100 percent.’”

(Courtesy of David Bean)

Bean offered to give 125 percent, and his dad, nicknamed “Beanie,” would come back with 150 percent. Bean came back with “I’ll give you 180 percent!” and the number stuck. The “180 percent rule” became a lifelong motto for the younger Bean. “To this day, my wife Jean and I credit our ‘extraordinary, ordinary life’ in good measure to living out the 180 percent rule.” 

Robbins demanded the same extreme dedication from his dancers. The choreographer was known throughout his life as a difficult taskmaster who could, when the occasion called for it, grow red with anger at incompetent performers. Bean saw only the positive side of Robbins, whose laugh he recalls was a “delightful giggle,” save one memorable incident. Bean had messed up a line in a dress rehearsal for an invited audience, and instead of letting it go had grimaced in self-deprecation in full view of the crowd. Bean recalled: “Jerry came backstage and I thought he was going to freakin’ kill me. He said, ‘If you ever do that again, I’m going to throw you in the pit.’” Needless to say, Bean never did that again.

Theater Adventures

Cyril Ritchard played Captain Hook in “Peter Pan” alongside Bean’s “Lost Boy” role, shaping that part into an iconic portrayal that captured the imagination of millions on stage and in two television broadcasts. Ritchard became a “theater father” to young Bean during the run of “Peter Pan,” establishing a lifelong friendship both with Bean and his family. While “Peter Pan” was on Broadway, 1954 and 1955, Ritchard hired the elder Bean as his backstage dresser—the man responsible before each show for making Captain Hook look lovably scary.

“Cyril became my theater father,” Bean said. An Australian actor born to wealth, Ritchard projected a breezily aristocratic air, contrasted with Bean’s all-American brashness. But they had something deeper in common, albeit expressed differently: Ritchard boasted the Latin motto, “Optimum Semper,” translated as “Only the Best,” an echo of Bean’s “180 percent.”

Bean’s collection of stills from the 1961 “West Side Story,” alongside a snapshot of himself and director Steven Spielberg (bottom right) at the world premiere of the 2021 remake of the film. (Samira Bouaou for American Essence)

When Ritchard’s wife died in August 1955, the actor decided to leave New York for Los Angeles. By that time, “Peter Pan” had closed, and Bean had relocated back to California. Ritchard opted to drive from New York to LA in his 1941 Chrysler but didn’t wish to do so alone. So Bean, now 16, flew to New York to join his theatrical father in the coast-to-coast drive. Therein lies one of the funniest stories in Bean’s book.

Most of the drive was uneventful. Somehow, they found a Catholic church every morning in order that Ritchard, a daily communicant in the Catholic faith, could attend mass. Then, somewhere west of Phoenix, a tire blew. No big deal at first. Ritchard had had the spare checked out before hitting the road and Bean was, like his (non-theatrical) dad, a natural mechanic.

“Mechanically I’m pretty good, so when that tire blew, I had the car jacked up and the tire off in about 10 minutes,” Bean recalls. But when he pulled the spare from the trunk, Bean found that one of the lug nuts securing the spare had been tightened with a pneumatic wrench. 

“I tried and tried with the tire iron, but it was clear that lug nut wasn’t coming off manually.” Bean left Ritchard in the car and hitched to the nearest town to hire a mechanic to drive him back with what should have been a truck full of tools—except that the mechanic forgot to bring his tool box. Quoting from Bean’s book:

“In the front seat of his truck, he found a hammer and chisel. ‘I can knock those nuts off with the chisel and you’ll be off and running.’ He climbed into the trunk with his hammer and chisel. Placing the chisel behind the base of the lug nut, he swung his hammer as hard as he could. The hammer hit the tire and bounced back like a shot, hitting our rescuer in the forehead, knocking him out cold! There we were, in the middle of the desert with a disabled vehicle on the side of the road and a disabled mechanic out cold in our trunk.”

Bean and his wife, Jean, at their daughter’s cafe. (Samira Bouaou for American Essence)

After a tense interval, the mechanic came to. Ritchard had until now sat gallantly in the car, sweating in the 105-degree heat but with his iconic cravat still around his neck. In an act of genuine image-sacrifice, Ritchard removed the cravat to help staunch the mechanic’s bleeding. At length, the plan was launched to pile into the mechanic’s truck and drive back to his garage, spend the night at a motel, and then head back to the Chrysler with a completely new spare. Such were the ordinary trials of an extraordinary life.

While Bean was finishing high school in California, his old boss Jerry Robbins was creating a masterpiece in New York. “West Side Story,” conceived and choreographed by Robbins as a contemporary take on “Romeo and Juliet,” opened in 1957 and sent shock waves through the theater world. Here was a musical that addressed gang violence and ethnic division while radiating hope through athletic dance and a soaring score of songs such as “Somewhere” and “Maria.” When a London production was announced, Bean auditioned and was cast as one of the “Jets,” the Anglo rival gang to the Puerto Rican “Sharks.” Thus began several years of being a Jet, as Bean was cast as “Big Deal” in the London production in 1958, as “Tiger” in the Oscar-winning 1961 film, and as “Action” in the British tour of the early ’60s. In the film, Bean can be seen threatening the Bernardo character with his fist in the Prologue and pretending to be Officer Krupke while the other Jets sing to him in “Gee, Officer Krupke.”

Loving Life

During the London production, Bean met his match: a slender young English dancer named Jean. They enjoyed what Hollywood calls “a cute meet.”

“We danced opposite each other in the ‘Dance at the Gym,’ and she made a wrong move, causing me to twist my ankle. I didn’t talk to her for six weeks.”

When six weeks were up, the romance began. Almost as soon as it started, Bean was called back to America to perform in the film. Their love survived a year of long-distance, and they went on to become a married couple and the parents of a daughter, Jennifer.

Bean and his wife, Jean, got married in London. Years later, they welcomed a baby girl, Jennifer. (Courtesy of David Bean)

During the London run, Bean also made a lifelong friend in George Chakiris, who would go on to win an Oscar for his portrayal of Bernardo in the movie. In London, however, Chakiris played one of the Jets. This had made it possible for him and Bean to become friends. If one of them had been a Shark, it wouldn’t have happened, for Robbins imposed a strict rule that kept Jets and Sharks from seeing each other socially. He was serious about it and promised that any Jet who palled around with a Shark (or vice-versa) would be fined. It was part of Robbins’s method-acting approach to creating emotional tension between the gangs. That didn’t affect Chakiris and Bean in London, but when Chakiris was cast as head Shark Bernardo in the movie, it meant that these two good friends had to stay apart. 

One day Chakiris phoned Bean and said, “You have to come over and have spaghetti with me and Rita Moreno (who was playing Bernardo’s girl Anita) and her boyfriend.” After weighing the odds of getting caught fraternizing with “the enemy,” Bean showed up for the spaghetti, and he met Moreno’s boyfriend, an actor by the name of Marlon Brando. (He wasn’t caught.)

Bean’s association with “West Side Story” didn’t stop with the British tour. In 2019, Steven Spielberg invited him to make a cameo appearance in Spielberg’s remake. Bean can be seen in one of the storefronts during the “America” number.

 Bean wrote his book to savor the past and speak to the future. “The values we were brought up with by our parents were gold. It was a golden time,” he said. And to today’s young, he advised: “If you have a passion for something and you put 180 percent into that passion, I guarantee your success.”

From Sept. Issue, Volume 3

Categories
Features Giving Back Kindness in Action

What Gives Tim Tebow the Greatest Joy? A Higher Purpose Post-Football

For Tim Tebow, “MVP” has a whole different meaning. Far from the limelight of the sports field, the 36-year-old Heisman Trophy winner and former NFL quarterback has long set his sights on helping the world’s “Most Vulnerable People.” The Tim Tebow Foundation, founded in 2010, works in 86 countries to transform the lives of orphans, people with special needs or significant medical needs, and those caught in the snare of human traffickers.

His favorite night of the year, Night to Shine, celebrates people with special needs, offering them a prom night experience, and takes place simultaneously around the world—in over 1,000 cities and 56 countries. (Next year, it will be held on February 9, 2024.)

The timing, the Friday before Valentine’s Day, is no accident.

“We wanted this to be a night where every person with special needs ‘Shines,’ and we wanted our love and God’s love for them to shine through,” Tebow said.

American Essence had the chance to ask Tebow about Night to Shine, what drives him in life, and the best advice he’s ever been given.

Tebow is also passionate about faith-based content for children and has invested in different media projects. (Hannah Janoe)

American Essence: Please tell us about an inspiring moment or person at Night to Shine that will stay with you forever.

Tim Tebow: I could tell you thousands and thousands of stories just from our first Night to Shine! One that really stands out to me is a mom coming up to me and telling me that her daughter will never get married. She will never have kids. But tonight, at Night to Shine, she felt like she was a princess. Another is the first time we ever hosted a Night to Shine, one sweet girl came down the red carpet in a wheelchair with everyone cheering her on. She had so much fun and loved the experience so much that she came back down again, this time walking with assistance! It was such an inspiring moment.

Another impactful moment was when I got to meet an incredible young boy at a Night to Shine in Haiti. Frantzky had the biggest, sweetest smile, and he danced with so many friends and family that night. Unfortunately, not long after that, he got very sick. Hospitals in Haiti had turned him away before due to him having special needs or simply perceiving him as too complicated to care for. At the third hospital he ended up at, he did not receive the level of care he needed and unfortunately passed away. It was such a shocking reality that it’s our job to love people no matter their circumstances, and that it’s up to us to help other people see the God-given worth and value of every life. I have a painting of Frantzky in a room in my house where I watch movies and football games. That room is somewhat of a break where I can relax for a moment or get caught up in sports, but Frantzky’s picture is displayed as you exit the room as an instant reminder to keep the perspective that there is so much more significance in life than just games and movies.

AE: How has the idea of prom—a quintessentially American tradition—translated to the many different countries where Night to Shine is held?

Mr. Tebow: That’s a great question. One of the ways we’ve described Night to Shine is as a worldwide prom for people with special needs. A lot of countries aren’t familiar with the term “prom,” so we also call it a worldwide celebration for people with special needs. Even though other countries might not be familiar with the idea of a prom, walking down a red carpet, or being crowned as kings and queens, what’s really cool is that once they see it in action, they totally get it—regardless of where they are. A lot of that has to do with our awesome Night to Shine team that walks alongside churches every step of the way. It’s also really neat to see different countries and cultures embrace Night to Shine by bringing in traditions and experiences that are culturally relevant to them, too.

(Tim Tebow Foundation)

AE: You have a great sense of urgency about the causes that your foundation supports. What drives you in life? What gets you up in the morning, ready to take on the world?

Mr. Tebow: …

(This is a short preview of a story from the Sept. Issue, Volume 3)