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How an Immigrant From a Village in Italy Surpassed All Odds To Become Mayor of New York City in 1950

Everything in Manhattan’s Italian Rifle Club is quiet elegance: the glint of brass, glimmer of crystal, gleam of polished oak, soft ring of fine china, bell chime of silverware, as in real silver. But the evening’s menu is an anomaly, a plain old green chalkboard, mounted in a dull wood frame and set on rollers that the waiter brings by our table. Several appetizers, soup and salad of the day, a half dozen entrees.

No prices.

I nudge my Mom. Why no prices?

“Why don’t you ask your Uncle Vince?” she suggests, referring to my great-uncle, my grandmother’s brother, the unquestioned head of our family—and our host at this celebratory dinner in 1965.

“Because,” Vince tells me, “if you have to know the price, you don’t belong here.”

He turns to our waiter—resplendent in tux, silk shirt and black tie—for corroboration.

“That’s right, your honor,” declares the latter, deferentially.

Everyone chuckles, including my mom, whose birthday this is. While such a remark today would seem atrociously elitist, those were different times, and Uncle Vince, as we all called him, represents a story of origin that itself seems today almost a cliché—poor immigrant boy grown into self-made man. But it’s all true, his blood is mine, and it starts in a tiny mountain village in Sicily, makes its way to the residence of the mayors of New York, Gracie Mansion, and ends in a midtown Manhattan penthouse where, as a young teen, I’d stand awestruck on the balcony and gawk at the glistening spire of the Empire State Building a few blocks distant.

Arriving at said apartment building, if I were to walk in with Vince, the doorman would rise from his lobby chair and salute. “Afternoon, your honor!” Vince would nod genially.

What on Earth is all this? Who is this gentleman so distinguished that random people call him by a fancy title and salute him on sight?

Vincent (Vincenzo) R. Impellitteri was born on February 4, 1900, in Isnello, a village about 50 miles from Palermo, perched astride a shoulder ridge beneath the dark granite battlements of the Madonie mountain range, which houses the second-highest peak in Sicily. A year later, his parents decided to seek a better life in America. The family sailed to New York, then relocated to Connecticut, settling in a riverside mill town, Ansonia, where Vince’s father Salvatore set up shop to practice his trade—shoe cobbler.

My grandmother Rose was born soon after; she and Vince enrolled in Ansonia schools and began their upward path into American life. She married a Ukrainian immigrant’s son and became a schoolteacher, while her husband, William Comcowich, rose through the school system ranks to eventually become Ansonia superintendent. My mother, Therese, was born in 1929, and she used to recount how her Sicilian grandmother, Salvatore’s wife Marie, who watched my mom after school while my grandmother Rose worked, never learned English and spent the entire rest of her life in that small Ansonia immigrant neighborhood, where her outings consisted of going to the Italian grocery store and the local Catholic church once a week each.

To say Vince went a different direction is putting it mildly.

Quietly on fire with ambition, he graduated with good grades from Ansonia High School and enlisted in the Navy, serving as a radio officer during World War I. After the war, he headed down to New York, where he wound up attending Fordham University School of Law by day, working as a bellman and desk clerk at night in a Manhattan hotel. After graduation, he joined a large, politically connected law firm, then was an assistant district attorney in Manhattan for a decade, then became clerk to a couple of state judges, then was chosen as deputy-mayor running mate for William O’Dwyer, on the basis of his ticket-balancing Italian ancestry, steady personality, and Democratic party loyalty.

They won two terms, then O’Dwyer resigned just as a corruption scandal broke over his office and Tammany Hall, the Democratic “machine” that ruled New York. O’Dwyer absconded to Mexico, and a special election was called for the remaining three years of his term.

I’ll run, said Vince. Nope, said Tammany Hall. Vince lost the primary to the Tammany candidate, but he created his own organization, the “Experience Party.” You’re toast, party bosses told him.

We’ll see, said Vince.

“He does not create emergencies,” wrote the New York Times. “He gives the impression of dogged earnestness and good intentions.” He acquired the nickname “Impy.” His slogan was “unbought and unbossed.” Supposedly, the Mafia controlled Tammany Hall, but Vince had snubbed Frank Costello, the Luciano crime family boss.

Impy beat three other candidates by more than 225,000 votes to become the city’s 101st mayor on November 14, 1950. A few years later, I joined him for Thanksgiving dinner at Gracie Mansion with my mom, his favorite niece. I was 15 months old; I don’t remember a thing, but I have the picture of me in my high chair. I presume we had roast turkey and cannoli.

In 1953, when the next election came around, Tammany Hall took him seriously and bumped him from office with Robert Wagner, a titan who went on to serve three terms in Gracie Mansion. Shortly after Wagner took office, he made Vince a judge, and he spent the rest of his career on the bench. Thus “Your Honor.”

Instead of dogged earnestness, I remember a courtly, well-tailored, gentlemanly, understated patrician. Is that an elite term? Sure, but look at his life: He earned it, full on, hard work, no question.

“To say that Vincent Richard Impellitteri rose from obscurity would be an understatement of the first magnitude,” declared the New York Times in Vince’s 1987 obituary. “In an era of flamboyant politicians and corruption scandals, Mr. Impellitteri—deliberate, scholarly, mild to the point of shyness—struck a responsive chord with New York voters and became the first person ever to become mayor of New York without the support of a major political party.”

Vince returned to Isnello in triumph on a quasi state visit in late 1951; at the time, the mayor of New York was widely considered the second most significant political office in America. Sicilians gave him a parade through his birthplace, lining the bannered streets and tossing flowers. I still have the commemorative engraved silver box they presented him, containing a glass ampule with a quarter-cup of Isnello dirt. Yes, really.

We live in an age when origin stories such as this are scoffed at as clichés, while millions of people hand Hollywood billions of dollars to parse out so-called superhero lineages that require advanced Excel flowcharts. If I shopped Vince’s story to a producer, she’d say, “Where’s the conflict? The suspense? The existential crisis?”

My sister Kristin and I had a miniature existential crisis when we journeyed to Isnello 10 years ago, just to see. Shortly before she died, our grandmother told me it was a dusty, backward mountain village and why would anyone go there? But we went anyway and found a lovely, fully restored town in a gorgeous setting with spruced-up houses testifying to European Union rural improvement funds. It was serene, well kept, quiet, and devoid of any hint that it was Vince’s hometown. No statue, no eponymous plaza, nothing.

So we thought. After traipsing up and down for a couple of hours, we parked on a bench on the main drag, puzzled. Then, Kristin, glancing about, raised her eyebrows and pointed to a blue-and-white tile plaque on the concrete abutment right behind us.

It read “Viale Vincenzo Impellitteri.” A nearby street sign said the same.

We headed happily to the edge of town to an uncrowded café with a viewscape patio and celebrated with a sensational lunch of almond risotto, peasant bread, and olive oil far better than any you can get in the United States.

Are there shoe cobblers left in this world? Young men who work nights to go to law school by day? I don’t know. I am neither of those, although in my entire life I have had just three months when I did not work or go to school, and I intend to keep it that way.

I wouldn’t say Vince told me to do that. He showed me—showed us all—which is far more meaningful. Make your own way, pave your path yourself, do something worthwhile.

As a boy, I’d watch Vince open a box of illicit, expensive smuggled Cuban cigars (he had connections), cut them, and carefully lay them in one of the ceremonial burnished walnut cigar boxes he received as mayor. I’d ask what they were.

“Contraband,” he explained, grinning genially.

My good fortune to have an ancestor like Vince is happenstance. His influence in our extended family has been profound. Though no member of the generations who came after him has reached his lofty heights, he had many nieces and nephews and grand-nieces and -nephews and we have all, every one of us, carved worthy lives for ourselves in this complicated world.

Maybe you have such a forebear, maybe you don’t. We cannot arrange our ancestors. But we can choose what sort of example we set for those who will come after us. When I think of that challenge, I think of my Uncle Vince, who worked his way up to the pinnacle of American life for a worthy goal, and left us a superbly worthy legacy.

From Nov. Issue, Volume 3

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New York’s Classic Sofa Company: Crafting Custom Furniture

Classic Sofa’s in-house craftsmen and interior designers—which includes the company’s own president—customize the furniture-making process every step of the way

The design company Classic Sofa was a family business with over 20 years of experience producing handcrafted bespoke furniture by the time it was handed down to a second generation in 2007. The timing couldn’t have been worse. The United States suffered a subprime mortgage crisis in 2007 that would lead to a global financial crisis the following year. The challenge of a major recession proved too difficult to overcome, and Classic Sofa’s owners had to put the business up for sale in 2012.

One person’s misfortune can become another’s gain. Blake Anding didn’t set out to become a furniture designer. In fact, he studied biomedical engineering and worked in finance for many years—until he decided he needed to make a life change. In 2012, he saw Classic Sofa for sale and, despite having no experience in design, bought it. He had a lot to learn, but he knew what he had to do to revive the company’s roots as a leader in the custom upholstery industry.

“When I took ownership, I called people who worked with Classic Sofa in the past and picked the best upholsterers and the two best framers to come back to work with us,” Anding told American Essence in a phone interview. Besides sofas, the firm also customizes upholstered chairs, pillows, and draperies.

A Chesterfield-style sofa. (Courtesy of Classic Sofa)

Many of the craftsmen started young and learned from family members in the trade. The worker with the least experience at Classic Sofa still has more than ten years’ experience, while the staff with the most has worked for 50 years, with an average of 30 years. “Some of them started very young in a foreign country and migrated to the United States,” he said. There was a Jamaican Jewish artisan, William Jobson, who mentored Anding in how to do framing and tufting, as well as Denise Ramirez, who taught him how to do upholstery. “She first came for a job at this factory when she was 12 years old. She put tons of makeup on to look older, but the owner at the time came up to her and, with just the tip of his finger, swiped it off her cheek and told her to come in a few years when she was older.”

A craftsman working at the Bronx factory of custom furniture maker Classic Sofa, New York City on May 6, 2021. (Sam)
A craftsman making measurements at the Bronx factory of custom furniture maker Classic Sofa, New York City on May 6, 2021. (Sam)

Anding has grown the business over the last ten years and has had the pleasure of watching it flourish. The firm has worked with renowned interior designers on high-profile projects—providing upholstery to the Trump SoHo hotel (now The Dominick hotel); sofas and cushions for the rooms in The London NYC hotel (which has since been rebranded a Conrad hotel); and a sofa and loveseat for talk show host Andy Cohen’s Manhattan apartment.

But what the company is most proud of is its quick lead times. After receiving the fabric, it can produce and deliver completed projects in three to four weeks, compared to the average 12 to 16 weeks for competitors. “It’s unheard of in our industry. It’s a very fine-tuned machine because we have the right people working on the projects: getting materials in, for example, so projects get delivered quickly.”

(Courtesy of Classic Sofa)

He mostly works with clients in the tri-state area as well as Florida and California, as the vast majority of his clients have homes in the United States, but he has also shipped furniture to Paris and London. The firm only does 100 percent custom bespoke, from fabric to wooden pieces, for residential and commercial projects. The furniture is bench-made, meaning produced to requested design specifications, and manufactured locally in the Bronx by master craftsmen. “I work in the factory with them to ensure the quality of our products every step of the way,” Anding said.

Before going to the showroom, clients can submit ideas to the company via its website, so when they arrive at the firm’s Manhattan design center, they’ll only need to work with interior designers to determine specific details such as seating dimensions, cushion densities, and fabric selection. Another major selling point is that the company offers a lifetime guarantee on frames and springing.

Clients can request an in-home consultation with a member of Classic Sofa’s design team and get assistance on style, cushion fill, and fabric choice for a new piece or reupholstery for an existing piece. The company also has a whole host of fabric partners, including Brunschwig & Fils, Coraggio, Designtex, Ralph Lauren, and many more. These brands have their own custom furniture collection with Classic Sofa—for the clients who aren’t looking for a fully unique product.

(Courtesy of Classic Sofa)

Uniqueness, though, is Classic Sofa’s specialty. The more challenging the project, the more fun Anding has when transforming clients’ ideas into products. According to Anding, that’s the best part of the job.

“One of my favorite projects was for actress Mary-Louise Parker’s new Brooklyn residence. She wanted a [Vladimir] Kagan-inspired piece but with loose seat cushions for comfort. Most importantly, the piece was oversized, stretching across her entire living room.” Anding needed to trace out a sectional design with the perfect curvature and proportional size to fit the aesthetic and size of the room. The sofa had to be designed and produced in pieces and upholstered onsite.

“Designing bespoke furniture is about understanding your client so you can distill what they see as beautiful into each piece that you make. Most importantly, this is a labor of love, from drafting the initial design, through framing and upholstery, to seeing smiles on client’s faces on delivery,” he said.

Erin Tallman is the editor-in-chief of ArchiExpo e-Magazine, an online news source for architecture and design professionals. She is based in Marseille, France, and enjoys cycling around Europe as a way to soak up the culture, discovering hotel gems along the way.