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Sticking to American Roots

At a time in history when certain international governments are creating incentives for reshoring, the American company Ethan Allen can hold its head high because throughout its 89 years of operations, it never fell into the trap of offshoring the majority, or the totality, of its production for low-labor costs.

Contrary to what may have been common belief, remaining rooted in its home country did not hinder an innovative evolution or business growth. Instead, the choice to keep production in the United States seemed to strengthen the brand’s position in the market.

Within a matter of three years, the company went from initially selling gnomes, trellises, and garden swings produced by other companies to kickstarting its own production of colonial-style home furnishings. It fully established its style by rebranding, becoming officially known as Ethan Allen in 1969. Ethan Allen’s reputation flourished to the point where it opened its own storefronts and began selling directly to consumers.

Five years later, the company opened the Ethan Allen Hotel in Danbury, Connecticut. Since 1974, the hotel has received a number of awards and over 100 five-star ratings on the online forum Wedding Wire. In 2019, the hotel accepted two awards: The Knot’s Best of Weddings, for a second consecutive year; and the Couples’ Choice Award from Wedding Wire, for an eighth consecutive year.

Staying True

Throughout its rich history of constant innovation, the company transformed its colonial style into a modern-day classic style fitting for the ‘90s. Today, the company continues to reinvent its pieces in classic, country and coastal, and modern styles.

During the offshoring boom of the 2000s, Ethan Allen stayed home and invested in new technology and state-of-the-art equipment for its manufacturing facilities. Now, the company boasts of using less electricity, water, and other resources, as well as ways to reduce the amount of waste we, as consumers, put into landfills. Vermont’s Department of Environmental Conservation named Ethan Allen a Vermont Business Partner from 2013 to 2018. Ethan Allen also cleaned up pollution in the Connecticut River, which runs near one of its workshops dating back to the 1830s.

The company’s prospects were not always a ray of sunshine, though.

Since the recession, and following the plummet of U.S. manufacturer Furniture Brands International in 2013, a number of legacy American furniture brands got pulled into the wave of disaster. Ethan Allen struggled greatly to stay afloat. By 2019, however, the company had made a major comeback.

In fact, after discarding a short-lived, discount-drive methodology and returning to its original emphasis on in-house interior design services and the promise of best prices, the company has been on the rise.

A Go-To Brand

Now fully rekindled with interior design at the forefront, the company opened a new format design studio in The Westchester shopping center in White Plains, New York, in 2019. The studio integrates the latest technologies, such as a 3D room planner, to enhance the company’s complimentary interior design service.

Television host and lifestyle maven Parker Kelley (writer, producer,

Ethan Allen’s designs have a classic look. (Courtesy of Dina Dotsikas)

and award-winning host of “Home, Life & Style,” a program that airs in New England) loved learning about Ethan Allen’s American heritage and tech tools during her recent partnership with the company to produce “Design Tips” segments on her show.

While the company’s constant innovation is good news for Ethan Allen’s in-house, world-class designers and consumers, the brand has been a long-lasting go-to for individual interior designers and the average American.

“Growing up, I’ve always known it to be a mainstay in the history of home furnishings. I’d love to see them last forever,” interior designer and home renovator Dina Dotsikas said in an interview for American Essence.

 

Ethan Allen has 1,000 in-house interior designers, but it openly suggests customers contact local interior designers and offers a useful site to guide clients. The team at Ethan Allen designs, develops—from cushions adjusted by hand for perfect shape and positioning, to upholstery in fabric or leather that is cut, sized and customized for a flawless fit—and delivers everything it makes.

Today, the company owns and operates nine manufacturing facilities, including six plants in the United States, two plants in Mexico, and one plant in Honduras.

Dotsikas said that “Ethan Allen has managed to shift with the times while maintaining the classic style appeal,” her personal preference. “Tradition will always be in style. We invest in more traditional pieces, the ones we know will last the longest; and we invest less in the more trendy, shorter-lived ones.”

“My personal style is classic, timeless, traditional with a touch of trend. I’ll stick with the basics that stand the test of time with a bit of today’s,” she added.

Dotsikas with her husband. (Courtesy of Dina Dotsikas)

Dotsikas has known the Ethan Allen name since she was a child, considering it a brand that provides long-lasting furnishings you can pass down to future generations. It has been a go-to brand for decorating her own home.

“They have people that you can work with to make them more to your style. It’s not cookie-cutter. There are a million different options. That’s always a great feature,” she said.

Dotsikas often integrates pieces from Ethan Allen when she is “flipping homes”—by renovating homes that have been unloved, as she explained it. After seeing through the mess and reorganizing it for today’s families, ensuring form and function, she gets to the fun part of designing the interiors. She called it “staging.”

“It’s different when you’re staging the house instead of furnishing the house. You want them to walk in and see themselves sitting there. Having quality pieces and accessories are important because visitors can visualize themselves living in the homes. When in a bind, I’ll pull furniture from our own home to stage the flip homes.”

Since she has quite a few Ethan Allen pieces in her own home, she uses them to stage homes set for sale—to give them that high-quality, luxury aesthetic she desires.

Erin Tallman is the editor-in-chief of ArchiExpo e-Magazine, an online news source for architecture and design professionals. She is based in Marseille, France, and enjoys cycling around Europe as a way to soak up the culture, discovering hotel gems along the way.

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New York’s Classic Sofa Company: Crafting Custom Furniture

Classic Sofa’s in-house craftsmen and interior designers—which includes the company’s own president—customize the furniture-making process every step of the way

The design company Classic Sofa was a family business with over 20 years of experience producing handcrafted bespoke furniture by the time it was handed down to a second generation in 2007. The timing couldn’t have been worse. The United States suffered a subprime mortgage crisis in 2007 that would lead to a global financial crisis the following year. The challenge of a major recession proved too difficult to overcome, and Classic Sofa’s owners had to put the business up for sale in 2012.

One person’s misfortune can become another’s gain. Blake Anding didn’t set out to become a furniture designer. In fact, he studied biomedical engineering and worked in finance for many years—until he decided he needed to make a life change. In 2012, he saw Classic Sofa for sale and, despite having no experience in design, bought it. He had a lot to learn, but he knew what he had to do to revive the company’s roots as a leader in the custom upholstery industry.

“When I took ownership, I called people who worked with Classic Sofa in the past and picked the best upholsterers and the two best framers to come back to work with us,” Anding told American Essence in a phone interview. Besides sofas, the firm also customizes upholstered chairs, pillows, and draperies.

A Chesterfield-style sofa. (Courtesy of Classic Sofa)

Many of the craftsmen started young and learned from family members in the trade. The worker with the least experience at Classic Sofa still has more than ten years’ experience, while the staff with the most has worked for 50 years, with an average of 30 years. “Some of them started very young in a foreign country and migrated to the United States,” he said. There was a Jamaican Jewish artisan, William Jobson, who mentored Anding in how to do framing and tufting, as well as Denise Ramirez, who taught him how to do upholstery. “She first came for a job at this factory when she was 12 years old. She put tons of makeup on to look older, but the owner at the time came up to her and, with just the tip of his finger, swiped it off her cheek and told her to come in a few years when she was older.”

A craftsman working at the Bronx factory of custom furniture maker Classic Sofa, New York City on May 6, 2021. (Sam)
A craftsman making measurements at the Bronx factory of custom furniture maker Classic Sofa, New York City on May 6, 2021. (Sam)

Anding has grown the business over the last ten years and has had the pleasure of watching it flourish. The firm has worked with renowned interior designers on high-profile projects—providing upholstery to the Trump SoHo hotel (now The Dominick hotel); sofas and cushions for the rooms in The London NYC hotel (which has since been rebranded a Conrad hotel); and a sofa and loveseat for talk show host Andy Cohen’s Manhattan apartment.

But what the company is most proud of is its quick lead times. After receiving the fabric, it can produce and deliver completed projects in three to four weeks, compared to the average 12 to 16 weeks for competitors. “It’s unheard of in our industry. It’s a very fine-tuned machine because we have the right people working on the projects: getting materials in, for example, so projects get delivered quickly.”

(Courtesy of Classic Sofa)

He mostly works with clients in the tri-state area as well as Florida and California, as the vast majority of his clients have homes in the United States, but he has also shipped furniture to Paris and London. The firm only does 100 percent custom bespoke, from fabric to wooden pieces, for residential and commercial projects. The furniture is bench-made, meaning produced to requested design specifications, and manufactured locally in the Bronx by master craftsmen. “I work in the factory with them to ensure the quality of our products every step of the way,” Anding said.

Before going to the showroom, clients can submit ideas to the company via its website, so when they arrive at the firm’s Manhattan design center, they’ll only need to work with interior designers to determine specific details such as seating dimensions, cushion densities, and fabric selection. Another major selling point is that the company offers a lifetime guarantee on frames and springing.

Clients can request an in-home consultation with a member of Classic Sofa’s design team and get assistance on style, cushion fill, and fabric choice for a new piece or reupholstery for an existing piece. The company also has a whole host of fabric partners, including Brunschwig & Fils, Coraggio, Designtex, Ralph Lauren, and many more. These brands have their own custom furniture collection with Classic Sofa—for the clients who aren’t looking for a fully unique product.

(Courtesy of Classic Sofa)

Uniqueness, though, is Classic Sofa’s specialty. The more challenging the project, the more fun Anding has when transforming clients’ ideas into products. According to Anding, that’s the best part of the job.

“One of my favorite projects was for actress Mary-Louise Parker’s new Brooklyn residence. She wanted a [Vladimir] Kagan-inspired piece but with loose seat cushions for comfort. Most importantly, the piece was oversized, stretching across her entire living room.” Anding needed to trace out a sectional design with the perfect curvature and proportional size to fit the aesthetic and size of the room. The sofa had to be designed and produced in pieces and upholstered onsite.

“Designing bespoke furniture is about understanding your client so you can distill what they see as beautiful into each piece that you make. Most importantly, this is a labor of love, from drafting the initial design, through framing and upholstery, to seeing smiles on client’s faces on delivery,” he said.

Erin Tallman is the editor-in-chief of ArchiExpo e-Magazine, an online news source for architecture and design professionals. She is based in Marseille, France, and enjoys cycling around Europe as a way to soak up the culture, discovering hotel gems along the way.